It is not just Linnet to flock to the field once more. Neighbors, family, retired cultivators and textile manufacturers regularly pass each other from narrow lanes to mallon farm.
Community
As a result of discovering a lonely business to build farming before, the interest and support of others were highlights to Helen. In addition to the company, this connection gives more and more power to the story of the resistance.
“We are not interested in reproducing the industry with a huge factory with bottlenecks, regardless of whether a person is talking about textiles or vegetables or collaboration with others.”
From providing hands and time at the time of harvesting to long -term donation of processing machines, the farm began to germinate the seeds of generosity. “People come to the farm to volunteer and create this kind of amazing tidal waves.”
This hope is warmly welcomed given the scale of ambitious. “I thought a lot about how we brought the industry again in a more flexible and sustainable way.
She has encouraged a variety of small supply chains and has been replicated several times at the community level. To strengthen the industry to grow the industry, strengthen its strength.
passionate
Diversity is also important in the field. On the island 92 % of farmland It is used to produce meat and dairy products, and it is not meaningful to change the current state into agricultural agriculture.
Ireland’s field of Ireland can be considered a single cultural type to borrow words from Kerry Melville of Nourish Ni. But it is not uniform, but diversity to bring new policies, unpredictable weather patterns and prices. When Ireland farmers lost potatoes, old Irish farmers approached when they were called ‘rental crops’.
It is difficult to visit each stage of production again. Perhaps 13 steps are required, and some are easier to recover than others.
Charlie had a hard time restoring the Scary Turbine of the 1940s. Rotation is the next big obstacle. For art that seems to have disappeared completely, save some humble individuals.
Helen and Charlie have a list of customers who are eager to tap the farm door for freshly rotating and woven Irish linen fabrics.
decision
“We realized that people’s attention is not about respect for legacy.
Many visitors on the farm came back to rescue until the rotating obstacle was overcome. From the use of primitive sketch fibers as fur substitutes of fashion clothing, to explore the potential as a complex substitute for traditional carbon fiber and seal the pipe joints, the role did not turn stones when restoring the Irish faith for the Ama.
“What I really hope is to talk about what consumers want when I’m sitting in a meeting with a large company.
Helen’s faith is contagious, as Irish writer Abby Oliveira can prove it. Her poem Opposite She captures the story of Mallon Farm and reflects:[This project] It was clearly important to me in my personal level and resigned in a discouraged and environmental crisis. I was surprised to change their elasticity and lifelong habits, and the most important thing was to help to raise the sound of lifting all boats. ”
The resolution has changed the dairy farms that are decreasing to the food and the future of innovation on the food and agriculture of Ireland.
This author
Amber Hayward is an environmental writer who works in communication. Gaia Foundation. Her recent work includes contributing to this book. We feed to EnglandPublished by Papadakis.
We feed to England It is an unprecedented alliance between art and agricultural ecology. Gaia FoundationPhotographers and poets, seeds, soils, and the inspiration of the sea are paired with. It is unexpected to come from this radical encounter. This story is likely to seed a system that has a positive impact on a mysterious problem, from climate to community through foods that provide more nutrition to humans than humans and humans.
Helen Keys and Charlie Mallon in North Ireland’s national Tyrone have once again sown elasticity, heritage and community to Irish agricultural systems by sprinkling a variety of food and fiber tapestry. The eighth story of this series has been captured for more than 12 months in her poetry with the beautiful words of the documentary photographer Ivette Monahan lens and the Irish writer. Opposite to the end. Ivet exhibition Linen’s clean blue It is exhibited in Belpast exposed until March 22, 2025 Complete collection of pictures It was exhibited at the Royal Photography Society between April 3 and June 22, 2025.
